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Review of ‘Babygirl’ in Venice 2024: Nicole Kidman steals the show in empowering BDSM drama


Nicole Kidman stars in the highly anticipated film Babygirl, directed by Halina Reijn, which premiered at the 81st Venice Film Festival. The film follows the story of Romy, a successful CEO, who embarks on a torrid affair with her intern, Samuel, played by Harris Dickinson. As their BDSM-tinged relationship develops, Romy must confront her deepest desires and struggles with power dynamics.

The film explores themes of self-discovery, vulnerability, shame, and rage, without passing moral judgment on its characters. Kidman delivers a mesmerizing performance as Romy, showcasing her inner conflicts and vulnerability. Antonio Banderas also shines in his understated role as Romy’s husband.

Director Halina Reijn delves into illicit desires and gendered power dynamics with finesse, creating a film that challenges traditional notions of desire and control. While Babygirl has been compared to other erotic dramas like The Piano Teacher and Elle, it stands out for its bold portrayal of complex female characters and unapologetic exploration of sexuality.

Overall, Babygirl is an admirably sex-positive drama that emphasizes the importance of honest communication about desire. While it may not be as electrifying or thought-provoking as some may hope, it remains a bold update on the 80s erotic thriller genre. The film’s candid approach to taboo subjects and strong performances from its cast make it a must-watch for audiences looking for a fresh take on desire and power in relationships.

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Photo credit www.euronews.com

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